Yves Saint Laurent once said that “black is the liaison which connects art and fashion,” supporting
Gianni Versace’s similar citation that “black
is the quintessence of simplicity and elegance.”
The colour of black wasn’t really introduced into fashion
until around the 14th Century, in which the status of black within
fashion and art began to change. The fine quality dyes began to be imported and
exported and soon arrived on the market. Initially black was to be worn by
governmental officials and magistrates, acting as a symbol of ‘importance’ and
‘seriousness.’
Black was the colour of power; of dignity; of humility and
temperance with the rulers of the European world basking in the symbolism of black.
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| Gustave Doreé || The Inferno, Canto |
In the 18th century black began to retreat as a
fashionable colour, and as Paris became the fashion capital of the world; the
powerful men and women of the world began adorning shades of pastels, creams
and colours – a sweet shops of colours.
Then came the Industrial
Revolution and everything changed. The cities of Europe and a-like became
stained black resulting in the art and literature of the time to reflect the
landscape – think Charles Dickens and
famous French artist Gustave Doré.
 |
Henri Matisse || Potrait of
Madame Matisse |
Within
the world of art, black was a controversial topic with some artists fully
loathing the colour within their works, whereas others, such as Manet, incorporated the colour in their
works to capture the lights and true emotion of the subject. In the 20th century black became the colour of
Fascism from counties such as Italy and Germany. However within art, black
regained some the territory is had previously lost in around the 19th
century.
In 1945, Henri Matisse (personally one of my favourite
artists) greatly expressed his love for the colour within his work, explaining
the significance and importance of the colour: “when I didn’t know what colour to put down, I put down black … Black
is a force: I use black as a ballast to simplify the construction … since the
impressionists it seems to have made continuous progress, taking a more and
more important part in colour orchestration, comparable to that of the double
bass as a solo instrument.”
 |
| Coco Chanel's 'LBD' |
In 1926 our beloved Coco
Chanel famously said this: “A woman
needs just three things; a black dress, a black sweater, and, on her arm, a man
she loves.” Along with her famous LBD – Little Black Dress – she helped to
revolutionize fashion, and of course the colour of black within fashion.
Women’s fashion became sophisticated and simplified, symbolising freedom
coinciding with chic. One of the most famous dresses inspired by this movement
is of course the one worn by Audrey
Hepburn in Breakfast at Tiffany’s,
designed by Hubert de Givenchy.
In the 1950s, black became the symbol of individuality and
intellectual and social rebellion, spanning from the leather jacketed greasers to the punk subculture of the
late 20th century.
Designer Ann Demeulemeester said that black is of “the purest of colours … the most poetic,
but at the same time strongest. It’s the colour of poets and writers and of
rebels.”
 |
| Coco Chanel |
Black within fashion is a recurrent feature, the only colour
that stays no matter what. No matter the season. No matter occasion. No matter
the style. Many speculate that black within fashion is greatly linked with the
economy and in a sense I agree. Black has been, and still is, a symbol for
various movements, subcultures and personal expression. Black became a way in
which men and women could fully express themselves without giving in to the
conformity pressed by society. It became is symbol of power, freedom,
individuality and rebellion, and symbol that, without even knowing, would
change the face of fashion and art continuously. Black is a colour that is
in-definitively adaptable to our surroundings, social status, economical
stance, and our political and moral movements.
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